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Uncle Kracker is a multi-platinum selling artist, with #1 hits such as “Follow Me,” “Smile,” and Kenny Chesney duet “When The Sun Goes Down.” His Dobie Gray cover of “Drift Away” set a Billboard record for most weeks at #1 on any chart, a staggering 28 weeks. You saw this Detroit-native and Kid Rock band alumni fully embrace his country side with his 2012 critically acclaimed album Midnight Special. Now in 2023, he released “Sweet 16” and “Reason To Drink”–his first proper singles since the notorious pandemic-weaving the infectious melodies and clever lyricism he’s always been known for. His new album is set to release early next year.

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Drenched in sun-kissed natural beauty both inside and out, Nashville native, Deana Carter, didn’t take a seemingly easy route to stardom, but instead chose to defy the conventional expectations of the typical Nashville artist blueprint and make her own mark. And she did, undeniably taking the industry and fans by storm with her wildly successful multi-platinum international debut “Did I Shave My Legs For This?” more two decades ago. Anchored by the dreamy super hit ” Strawberry Wine”, Carter showcased her own blend of country and retrorock sprinkled with the folksy singer/songwriter qualities that have garnered Deana Carter welldeserved respect and wild acclaim.

With EIGHT albums under her belt, Carter explores many subjects commonly shared over a quaint dinner, afternoon coffee or a sunny day hike with a good friend. Her last release of Southern Way of Life was her first dive as Label CEO on her own Little Nugget Records, distributed by Sony/Red. These songs weave through the sometimes rocky terrain of adulthood, including loss of love, relationships on many different levels, trials, tribulations and simply put – life. As always, Instinctively autobiographical, the subject matter mimics the interesting ride of Carter’s own life – so far.

The daughter of famed studio guitarist and producer Fred Carter, Jr., Deana grew up exposed to the wide variety of musicians her father worked with, including Willie Nelson, Bob Dylan, Waylon Jennings, Simon & Garfunkel, Muddy Waters, Dolly Parton, and many more. Their strong influence would eventually seep into Deana’s own country-pop style, which reflects qualities that can also be heard in similar artists now, such as Miranda Lambert and reflective of artists like Sheryl Crow.

Developing her songwriting skills by trial and error at writer’s nights throughout Nashville, Carter eventually signed a writing deal with Polygram and soon after a record deal with Capitol Records. One of her demo tapes happened to fall into the hands of none other than Willie Nelson, who remembered Deana as a child. Impressed with how she’d grown as a songwriter, Nelson asked Deana to perform along with John Mellencamp, Kris Kristofferson and Neil Young as the only female solo artist to appear at Farm Aid VII in 1994.

Her debut album, “Did I Shave My Legs For This?” boasts six songs co-written and with the album co-produced by Carter, was released to strong reviews in late summer 1996. By the end of the year, the record had climbed to the top of both the country and pop charts, quickly achieving multi-platinum status, with 3 number one singles in a row. A “first” for the genre, Deana’s celebrated debut album held this distinction and many ground breaking achievements for more than 5 years and has become one of Country Music’s most treasured classics of the 90’s.

“Everything’s Gonna Be Alright” followed in late 1998 and in 2001 Carter realized her dream of performing with her dad on an intimate holiday album, aptly titled “Father Christmas.” Making a strong move towards adult pop Carter released “I’m Just a Girl” on Arista Records in 2003, the same year Capitol Records released a Greatest Hits compilation. Follow-ups “The Story of My Life” in 2005 and “The Chain” in 2007 were both released on Vanguard Records. In an effort to pay homage to her musical roots and preserve her legendary father’s label Nugget Records, that famously presented some of the best in country music some 40 years ago, Carter opened her own label, Little Nugget Records, on which her latest album “Southern Way of Life” was released.

Carter now divides her time between Los Angeles, Florida and Nashville, writing and producing for both the pop/rock and country markets when not on the road touring or making movies.

Her superstar success continues to be evident as the chart topper “You & Tequila”, co-written with Matraca Berg and recorded by Kenny Chesney, was nominated as CMA’s “Song of the Year”, as well as two Grammy nods, notable the coveted “Song of the Year” , and, also, received a nomination as ACM’s “Song of the Year”. You and Tequila received a coveted ‘Songs I Wished I’d Written’ by the NSAI in Nashville, something Deana treasures, coming from her hometown music community.

Carter also co-wrote and produced an album for recording artist Audra Mae & the Almighty Sound, while putting the finishing touches on her own “Southern Way of Life.”

She has recently held a Governor’s seat on the Grammy Board for the Recording Academy and served on the Producer’s & Engineer’s Wing, The Membership Committee, & held an active voice for Artists & Creators with Advocacy in Washington, D. C. & throughout the last year for Pandemic Relief.

Singer, songwriter, producer – Deana Carter continues to defy conventional expectations, making waves as she makes great music, tours, & makes movies.

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99.7 THE WOLF STARS & GUITARS 2024 welcomes Randy Houser, Ashley Cooke, Matt Stell, Drew Baldridge and Kameron Marlowe on Sept 11th to benefit Le Bonheur Childrens Hospital.

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Bingo Loco has taken the world by storm with sold-out shows in 200 locations around the globe, including Dublin, Belfast, Glasgow, Derby, Sydney, Dubai, New York, Chicago, LA, and many more.

We’ve flipped the traditional game of bingo on its head and turned it into a 3-hour-long interactive stage show complete with dance-offs, rave rounds, lip sync battles, throwback anthems, confetti showers, and prizes ranging from international holidays to cars, air fryers, lawnmowers, and so much more.

Bingo Loco is not an event; it is a show with the mentality of a theatre performance & the energy of a festival, completely suited for somebody who’s looking for a unique night out in their city or even the best work party on the planet.

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Come dance to songs by your favorite queer artists!

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Gene Loves Jezebel (GLJ) originally formed in the early 1980s by identical twin brothers Michael and Jay Aston and Ian Hudson. Gene Loves Jezebel’s best-known songs include Sweetest Thing’Heartache”, “Desire (Come and Get It)” (1986), “The Motion of Love” (1987), as well as their broody dark alternative club hits “Bruises” (1983), ‘Shame’ “Influenza (Relapse)” (1984), and “The Cow” (1985).

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For more than 20 years, BlackHawk has shared a unique sense of harmony with their voices, their songs and their fans. It’s a harmony that has sold over 7 million albums, scored some of the most distinctive country radio hits of the ‘90s, and still draws tens of thousands of fans to their electrifying live performances. Today BlackHawk continues to honor its past as it forges its future, and does it all with a commitment that takes their music – and the harmony – to a whole new level.

“When we started,” says BlackHawk co-founder & lead vocalist Henry Paul, “our individual careers as writers and performers gave us somewhat of a more creative sensibility. We were three guys whose goal was to approach country with smart songs and unique harmonies for people who may not automatically like country.” Paul had previously co-founded Southern Rock legends The Outlaws, as well as leading the popular ‘80s rockers The Henry Paul Band. Van Stephenson had mainstream pop success as an ‘80s singer-songwriter-guitarist (“Modern Day Delilah”). And Dave Robbins had written hits for Eric Clapton and Kenny Rogers while partnering with Stephenson to write a series of classic #1 hits for Restless Heart, including “The Bluest Eyes In Texas” and “Big Dreams In A Small Town”.

“Even though the three of us had a love and appreciation for traditional country music,” says Dave, “we knew we weren’t going to be that. Henry was coming from Southern Rock, Van & I were in Nashville, but were writing country songs with pop sensibilities. When it came to our vocals, we wanted the three of us to be up front in the choruses like Crosby, Stills & Nash or The Eagles. What set us apart from the very beginning musically was being true to who we were individually.”

BlackHawk’s 1993 self-titled Arista debut album launched with the smash single “Goodbye Says It All”, followed by the Top 5 hits “Every Once in a While”, “I Sure Can Smell the Rain”, “Down in Flames” and “That’s Just About Right”. The album soon certified Double-Platinum, and the band received an ACM nomination as Best New Vocal Group Of The Year. BlackHawk followed up with the hit albums Strong Enough, Love & Gravity and Sky’s The Limit, which collectively featured such hits as “I’m Not Strong Enough To Say No”, “Like There Ain’t No Yesterday”, “Big Guitar”, “Almost A Memory Now”, “There You Have It” and “Postmarked Birmingham”. It was an unprecedented run of hits for a band that never quite fit the standard country mold. “Getting a BlackHawk record on the radio was often a tough sell,” explains Henry, “for the same reason country radio rejected bands like The Mavericks, The Dixie Chicks and Alison Krauss. But we were committed to smart, strong songs whether they fit the format or not. And the fans responded.”

But at the height of the trio’s success in 1999, Van Stephenson was diagnosed with an aggressive form of melanoma. “Van’s contribution to the group was enormous,” Henry says. “He could be a tremendously gifted songwriter and a deeply spiritual guy. We found ourselves at a crossroads as a band, and it would have been an easy time for country music to count us out.”

“Two days before Van passed away, Henry and I went to visit him,” Dave remembers. “Van was in a wheelchair at this point, and we took him for a stroll around his neighborhood. We spent the morning just talking, reminiscing about our career and good times together. Towards the end of our visit, Van said ‘I’ve got two things to ask of you guys. First, do what you can to help raise awareness and find a cure for this thing. The other is, don’t quit. There’s still a lot of great music left in BlackHawk.’” Since Van’s death on April 8th, 2001, the band and its fans have raised nearly a quarter of a million dollars for The Van Stephenson Memorial Cancer Fund at Nashville’s Vanderbilt-Ingram Cancer Center.

Henry and Dave regrouped and soon returned to the album charts with their Greatest Hits – dedicated to Van and featuring his final track “Ships Of Heaven” – as well as 2002’s Spirit Dancer and 2011’s Down From The Mountain, along with a touring schedule that brought the music to fans like never before. “Our audiences today are often full of 18 to 30 years olds,” says Dave. “They listened to us as kids, and still have a love for the music we made. That’s a big part of what propels us to keep creating as writers and performers.”

For the fans, for the music and for the brotherhood of Henry and Dave, harmony remains a powerful force. BlackHawk continues to record new music – including their well-received 2015 Brothers Of The Southland album, a forthcoming Christmas record and an acoustic greatest hits album – and deliver stellar live shows, backed by an all-star band of veteran country and southern rock players. “BlackHawk has a 20-year history of a certain kind of song craft as well as a quality of performance,” Henry says with pride. “People have always come to our
shows expecting a concert that is emotionally and musically engaging, and the band still sounds even better than the records, night after night, show after show. When we take the stage, we work as hard as we ever have. We owe it the music, we owe it to ourselves, and Van, and we owe it to the fans. Now more than ever, that’s the true legacy of BlackHawk.”

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I Hear Thunder marks the long-awaited return of four-time Grammy-nominated artist Tab Benoit. Renowned for his distinctive guitar tone and Otis-Redding-esque voice, Benoit has been a captivating figure in the roots music world for over thirty years.

Tab’s personal growth and advancement as a songwriter and musician have culminated in a benchmark recording. His new self-produced album, I Hear Thunder, for his imprint, Whiskey Bayou Records, is a testament to his fiery exuberance that first marked his career in 1992. The record not only showcases his artistic brilliance but also his profound commitment to environmental advocacy, a legacy that extends beyond the stage into the heart of the land that inspires his bluesy soul.

On Benoit’s forthcoming national tour, fans will be delighted to hear the new songs and selected tracks from his vast catalog. Benoit does more than play the blues; he defines its future while paying homage to its rich past.

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Connor Wood, known as @fibula across his socials, is a 28- year-old comedian based in Venice, CA. Connor launched his comedy career online with relatable comedic rants about life in quarantine as an unemployed person, and he has since garnered tens of millions of likes across his videos. Connor co-hosts his podcast, Brooke and Connor Make a Podcast, with online comedian Brooke Averick aka @ladyefron.

Connor was named an upcoming Comic to Watch at the 2023 New York Comedy Festival, where he also sold out four headlining shows. At the top of 2024, Connor announced his first ever ‘Fibs & Friends’ tour, which is currently being taken nationwide and overseas.

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Connor Wood, known as @fibula across his socials, is a 28- year-old comedian based in Venice, CA. Connor launched his comedy career online with relatable comedic rants about life in quarantine as an unemployed person, and he has since garnered tens of millions of likes across his videos. Connor co-hosts his podcast, Brooke and Connor Make a Podcast, with online comedian Brooke Averick aka @ladyefron.

Connor was named an upcoming Comic to Watch at the 2023 New York Comedy Festival, where he also sold out four headlining shows. At the top of 2024, Connor announced his first ever ‘Fibs & Friends’ tour, which is currently being taken nationwide and overseas.

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Sixpence None the Richer began taking shape in New Braunfels, Texas in the early ‘90s, when guitarist Matt Slocum met vocalist Leigh Nash at a church retreat. The group recorded a demo before eventually signing with R.E.X. Records. Their debut LP, The Fatherless & the Widow, appeared in 1993 and their sophomore effort, 1995’s This Beautiful Mess won a Dove Award and was followed by the Tickets for a Prayer Wheel EP.

In 1997, Sixpence None the Richer released their self-titled album and two years later exploded globally when the track “Kiss Me”, from that album, was released as a single. The song has
been featured in countless movies and TV shows and catapulted Sixpence None the Richer’s starpower into the mainstream, earning airplay in more than ten different countries.

Accolades continued as the band’s rendition of the La’s “There She Goes” also became a major hit. In fall 2002, Sixpence None the Richer returned to form with Divine Discontent. The band’s cover of the Crowded House classic “Don’t Dream It’s Over” pushed Sixpence None the Richer’s name back into the charts in early 2003. Although the group quietly disbanded in 2004,
they remained active as individuals and continued to release music periodically, including the albums Dawn of Grace and Lost in Transition.

Fast forward to 2024 and all-original members (Leigh Nash, Matt Slocum, Dale Baker, and Justin Cary) have reunited and are writing and recording new music and preparing for a world
tour. As a taste of the new music, you can hear “The Tide” released in late 2023 as Leigh Nash + Sixpence None The Richer, which has already amassed over 2 Million views and streams
across platforms. Curb Records is also celebrating the 25th Anniversary of the band’s self-titled (Kiss Me) album by re-releasing it in a collectible vinyl series that also features the new track,
“The Tide”.

Sixpence None The Richer has helped shape the musical landscape across generations and are gearing up for an exciting road ahead.

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Tickets on sale on Friday, July 26th at 10am

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Hailed as “Midwestern rock heroes” by American Songwriter, Red Wanting Blue has spent the better part of last three decades on the road, blazing their own unique trail through the American heartland as they built up a legion of lifelong fans through a relentless work ethic and raucous, life-affirming live show. Along the way, the band notched appearances everywhere from Letterman to NPR, garnered praise from the likes of Rolling Stone and Esquire, and climbed to #3 on the Billboard Heatseekers chart, all while operating largely outside of the confines of the traditional music industry.

Recorded in the band’s native Ohio and produced for the first time by the quintet itself, Red Wanting Blue’s latest album, Light It Up, marks the start of a distinctly new chapter for the indie rock stalwarts, one built on complete and total creative liberation. Equally gritty and uplifting, the collection is a larger-than-life ode to hope and perseverance, a celebration of the fire we carry within and the commitment that keeps us going even in the face of seemingly insurmountable odds. The songs are all interconnected here, woven together through intros and outros and interludes that propel them through the dark of night, and the performances are as muscular as they are meticulous, fueled by addictive hooks and exhilarating instrumental work that shines on an even footing with frontman Scott Terry’s rich and magnetic vocals. More than any other record in the Red Wanting Blue catalog, Light It Up captures the spirit and the camaraderie of a band that’s built its entire career on the road, discovering (and rediscovering) itself one exultant, joyous, communal night at a time.
Red Wanting Blue is:

Scott Terry (Vocals, Tenor Guitar, Ukulele)
Mark McCullough (Bass, Chapman Stick, Vocals)
Greg Rahm (Guitar, Keyboards, Vocals)
Eric Hall (Guitar, Lap Steel, Vocals)
Dean Anshutz (Drums & Percussion)