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With over fifteen years of touring to date, The Quebe Sisters have delivered their authentic triple fiddle and three-part harmony sound to the concert halls and festivals of North America and Europe. 

Grace, Sophia, and Hulda Quebe front an innovative Progressive Western Swing band of archtop guitar, upright bass, fiddles and sibling harmony. The Dallas-based five-piece presents a unique Americana blend of Western Swing, Jazz-influenced Swing, Country, Texas-Style Fiddling, and Western music. 

“We differentiate our music as ‘Progressive Western Swing’ from simply ‘Western Swing’ because we aren’t trying to sound just like Bob Wills,” Grace Quebe explains. “Instead, we continue his vision, playing the style he pioneered in an authentic way by incorporating new genres and songs, interpreting them using our own unique voice through Country instrumentation.”

The band’s stripped-down acoustic instrumentation breathes new life into seasoned sounds once found in Texas dance halls and honky-tonks. Grace continues, “To us, preserving the tradition of Western Swing isn’t about keeping something alive like a relic. Western Swing has always been about innovation.” 

Innovation has led the sisters to channel the musical connection between danceability and emotiveness, combining old sounds with new feelings and old feelings with new sounds. It’s not nostalgia that drives the band as purveyors of Western Swing, but the aspiration to take the music back to its roots and sustain the spirit of Swing.

Combine the musical stylings of The Mills Brothers, Ray Price, Count Basie, Willie Nelson, and you have none other than The Quebe Sisters.

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Founded in 1970, Asleep at the Wheel has been part of the American roots music landscape for more than 50 years. Although the band got its start on a farm in Paw Paw, West Virginia, Asleep at the Wheel became a cornerstone of the Austin, Texas, scene upon its arrival in 1973. Inspired by Western swing and honky-tonk country, the band has accrued 10 Grammy Awards. In the fall, a career retrospective recorded with the current lineup — and a few special guests — will carry the band back onto the road, where they’ve remained a staple for five decades.

Tickets on sale Friday, June 17th at 10 am.

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TAV FALCO & the unapproachable PANTHER BURNS will embarque on their coast-to-coast US tour with launching event 25th of August 2022 in San Francisco. Be sure to wear flowers in your hair and anywhere else the sun don’t shine. In support of their new EP, Club Car Zodiac (ORG Music), an official Black Friday Record Store Day release. The live show will also feature selections from the group’s 15 record albums and countless videos.

The tour will further celebrate the new instrumental album, Take It Away (ORG Music), by Mario Monterosso, lead guitarist and producer of Panther Burns records.

Equal parts primal avant-roots, RnR, and deviant hill country blues, TAV FALCO – PANTHER BURNS are ramshackle, raw, and unholy – not just Music…but a state of Mind. Tav Falco is one of the truly original and romantic forces in American music – the voice that America lost and found. He is tender and virile, flamboyant, witty and dangerous. Expect the UNexpected as Panther Burns tango gallows frontman, Tav Falco (himself), trods the stage as you have never seen him before. Falco is the ONE who always holds out a hand to the enemy!

“Stunning, bloodless, chilling & soulful” — The Daily Iowan

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THE LONG RUN is made up of some of Florida’s finest and most respected musicians. Individual members of the band have performed with or shared the stage with great artists like Lynyrd Skynyrd, Steppenwolf, Eddie Money, Beach Boys, .38 Special, Doobie Brothers, Trace Adkins…just to name a few.
THE LONG RUN reproduces the sound that made the Eagles one of the most successful musical groups in rock and roll history. They capture the energy, guitar technique and vocal harmonies of the Eagles to an art; five voices blending together that will please even the most critical of Eagles fans.
You won’t hear a tribute to the Eagles this great till “Hell Freezes Over.”

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For nearly 25 years, Reckless Kelly has graced the musical landscape with a high-powered form of Americana, equally rooted in raw passion, refined musicianship, and gritty authenticity. With the dual release of two new albums—American Jackpot and American Girls—the Idaho-bred band presents a beautifully detailed portrait of their beloved country, turning their nuanced songwriting to its many glories and tragedies. While one batch of songs centers on slice-of-life storytelling and the other explores the complexities of human connection, the collective body of work unfolds with a profound and often eye-opening attention to the subtleties of American life.
“I’ve always wanted to write an America-themed record, but not in some super-political or ‘rah rah rah’ sort of way,” says Willy Braun, who co-founded Reckless Kelly with his older brother Cody Braun and drummer Jay Nazz in 1996. “I wanted to tell stories of everyday life, and the kinds of things that nearly everybody experiences growing up in this country.”

Although Reckless Kelly initially intended to make just one album, the project took on a life of its own once they headed into the studio. “I wanted to produce this one by myself, just to try that out, and I made sure to book plenty of studio time to get it done right,” says Willy. “We ended up moving along really fast, so I pulled out a few more songs and figured we’d end up using them down the road. Before we knew it, we had enough material for two really good records.”

The follow-up to their acclaimed 2016 album Sunset Motel, American Jackpot and American Girls embody a wonderfully eclectic sonic palette, achieved with the help of V.I.P. guest musicians like GaryClark Jr. and Charlie Sexton, along with several members of their own legendary family (including Uncle Gary Braun on chromatic harmonica and their father Muzzie Braun on lead and harmony vocals). Recorded at Arlyn Studios in their adopted hometown of Austin, both albums abound with an unbridled vitality—an element that has much to do with the band’s deliberate decision to keep pre-production to a minimum in order to harness the magic of in-studio spontaneity. “There’s something incredible about the first time you play a song really well together, and we don’t ever want to waste that take on the rehearsal room,” Willy notes.

Throughout American Jackpot, Reckless Kelly joyously examines what they most cherish about their homeland, exalting everything from the thrill of mule-riding through the Grand Canyon to the country’s singular potential as a cultural melting pot. At the same time, the band never shies away from calling out forces that threaten America’s character. To that end, the album is bookended by two piano-driven tracks with lyrics lifted from the Emma Lazarus poem inscribed at the Statue of Liberty: the full-hearted and hopeful “North American Jackpot,” and “Goodbye Colorado #3” (a quietly impassioned response to anti-immigrant rhetoric). “It seemed to make sense to open and close the record with similar themes, where one song’s about people coming to America, and the other’s about people getting kicked out of this country they’ve lived in forever,” says Willy.

Elsewhere on the album, Reckless Kelly conjures a distinctly American spirit through their artfully executed musical references—the heavy-hearted Tom Petty homage “Tom Was a Friend of Mine” channels the elegant simplicity of its subject’s songwriting, while Bukka Allen’s ballpark-organ melodies lend a certain whimsy to “42” and its tribute to the great American pastime. And on songs like “Thinkin’ ‘Bout You All Night,” American Jackpot celebrates the splendor of the country’s most majestic spaces. With its finely rendered images of rolling fog and sun-streaked pinyon pines, the sweetly wistful track came to life in three separate states: a park called Garden of the Gods in Colorado, a cabin porch in California’s Sonoma Valley, and a lodge on Oregon’s Klamath Lake. “We nearly put that one on the American Girls album, but to me it’s a song about the vast diversity of America, and all the little geographical differences in the places it was written,” Willy points out.

Though each album encompasses endlessly unpredictable moods and textures (thanks in part to Eleanor Whitmore’s lush string arrangements), American Girls finds Reckless Kelly embracing an undeniably playful energy. Sparked from a pair of pink sunglasses left on the dashboard of Willy’s truck, “Miss Marissa” wanders into the unlikely territory of ELO-esque symphonic pop—a sound worlds away from “Any Place That’s Wild,” a Marty Robbins-meets-Sergio Leone duet with singer/ songwriter Suzy Bogguss. “Instead of using tambourines on that one, we spent about two hours one night stomping around the studio with spurs on,” Willy recalls. Meanwhile, “Don’t Give Up on Love” emerges as a bouncy rock-and-roll number with roots in classic Springsteen and the Ronettes, and the album’s title track offers up a swaggering ode to the greatest girls in the world.

One of many songs penned with Idaho-born singer/songwriter Jeff Crosby, “I Only See You With My Eyes Closed” provides one of American Girls most haunting moments, its intensity heightened by Sexton’s ethereal guitar work. “There’s one verse about waking up and not being able to remember what you were dreaming, but the feeling of the dream is still lingering,” says Willy. “There’s three different guitar parts drifting in and out on that song, and it’s meant to be the musical equivalent of drifting in and out of a dream.” Another collaboration with Crosby, “Lonesome On My Own” matches Geoff Queen’s luminous steel-guitar tones with lyrics encapsulating a painful self-awareness (e.g., “Maybe she’s better without hangin’ from my love like a marionette”). But on “Lost Inside The Groove,” American Girls turns impossibly jubilant, bringing swinging rhythms and a fiery guitar solo to the song’s expression of lovestruck adoration. “Shawn Sahm sent me that song idea, so we worked it out and had him come down and play guitar and Vox Continental organ,” explains Willy, referring to the son of Sir Douglas Quintet/Texas Tornados founder Doug Sahm. “It had this real Tex-Mex feel right off the bat, and I think they’re going to dig it in Texas.”

In the writing of Reckless Kelly’s latest material, Willy took several trips up to his desert retreat in Idaho, a spot near the Brauns’ White Cloud Mountains hometown. Though the two brothers first forged their musical partnership back in Idaho, they later decamped to Bend, Oregon, where they quickly linked up with Jay Nazz. Soon after forming Reckless Kelly (whose name nods to the legend of Australian highwayman Ned Kelly), the three musicians relocated to Austin and rounded out the lineup with bassist Joe Miller and guitarist David Abeyta (who exited the band after the release of Sunset Motel). Over the years, they’ve delivered a string of critically lauded albums, including 2011’s Grammy-nominated Good Luck & True Love and 2013’s Grammy-winning Long Night Moon.

With the release of American Jackpot and American Girls, Reckless Kelly hopes to lead listeners to thoughtful reflection on their own experience of living in America, and possibly invite a certain purposeful nostalgia. “I’d really love for people to listen to this record and remember,” says Willy. “I hope ‘42’ makes them remember playing ball when they were kids, and I hope ‘Tom Was a Friend of Mine’ makes them think of hearing a Tom Petty song and feeling like he was your buddy, even though you never met him. Mostly I just hope these songs remind them of all the different aspects of growing up in America, and feeling so lucky to live here.”

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A little house, a little blues, a little funk, a little rock, and a whole lot of soul blast through BoomBox.

Since first emerging in 2004, founder, songwriter, producer, and multi-instrumentalist Zion Rock Godchaux has been quietly seasoning and simmering this recipe to perfection. At the same time, the Muscle Shoals, AL native stays true to what attracted countless fans in the first place.

“I remain open to anything you would hear coming out of a boombox,” he explains.

“You hear about different forms of magic around the world,” he goes on. “The West, in general, has its own voodoo influenced by the blues. That’s what shaped me as a musician growing up in this country. It’s hard to put in the words, but you know it when you hear it.”

You hear it in everything that BoomBox has done thus far. Over the course of five albums, the group has become a streaming favorite with numerous tracks clocking in the millions of plays on Spotify. Moreover, they’ve made audiences groove everywhere from Electric Forest and Hangout Music Festival to High Sierra Music Festival and Red Rocks.

In the spring of 2019 Zion enlisted his “brother from the same mother” Kinsman MacKay to embark on BoomBox’s most exciting configuration to date. “There’s a special kind of chemistry between two brothers playing music together,” Zion explains. “Since 2003 we’d get together and make tracks just for fun, and realized we had a strong connection in the studio.” The two always knew they would work on a project together someday, and when the doors opened up logistically in 2019, it was the natural move for the brothers to take form as BoomBox.

BoomBox debuted their live horn section called “The BackBeat Brass” in the fall of 2019 to great reception. “It’s like these songs are my children that I’ve been raising for the past 15 years, and with the addition of the horns it feels like seeing them again for the very first time” says Godchaux. The Backbeat Brass, led by trumpet artist Nic Chaffee of Delta Nove, will be featured on select shows, bringing a classic live horn sound filtered through an array of psychedelic sounds and elements.

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Kyle Kinane is a comedian from Addison, Illinois. According to Wikipedia, he is a notable person from that town. Other notable residents of Addison have been the boxer Leon Spinks and a woman who wrote poetry about Beanie Babies.

Raised in such a cultural fondue pot as this, it was natural for Kyle to find his way from warehouse work into show business. As a comedian, he has been seen on Conan, The Tonight Show, Netflix’s “The Standups,” and three of his own hour-length specials on Comedy Central. As an actor, he’s been in the Judd Apatow series “Love” and truTV’s “Those Who Can’t.” He was also on “Drunk History,” where he, unfortunately, wasn’t acting. As a voice-over actor, he was the former voice of Comedy Central for 8 years and currently plays Bullet on the Netflix series “Paradise PD.” He is also co-host of the Boogie Monster podcast along with Dave Stone, and the streaming show “Hey Girl” with Matt Braunger. As a musician, he has done nothing, as he is not a musician.

Kyle’s most recent standup work, “Trampoline In A Ditch,” was recorded at Comedy on State in Madison, Wisconsin and was released on 800 LB Gorilla Records in 2020. The album was accompanied by an animated short, produced by Meister.

“When you’re here, you’re family.” 

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Based out of Los Angeles, CA but born from the bowels of Outer Space, Mac Sabbath is here, and it is time for a dinner rock revolution.

Tickets on sale Fri., Aug. 5th at 9am CST

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Corb Lund has received multiple CCMA, JUNO, and international award nominations and wins. A rural Albertan hailing from the foothills of the Rocky Mountains with a long family lineage of ranchers and rodeo people, Lund is about as authentic as they come. Embracing both his Western heritage and his indie rock past through his music, Lund has been known to filter a range of cowboy themes past and present through his unique lens – from rough-and-tumble tales of lawless frontier saloons to the somber realities of running a modern family ranch.

Most recently, Lund released Songs My Friends Wrote. The 10-song set features Lund putting his spin on some of his favorite songs written by close friends and world-class songwriters such as Hayes Carll, Todd Snider, Canadian Country Music Legend Ian Tyson, and more. Met with critical acclaim, Holler said in their 8.5 out of 10 Star review, “Lund unearths, dusts off and revives lost should-have-been classics, hopefully encouraging listeners to search out the original versions” while American Songwriter said, “Lund remains a singular artist, and the fact that he can take outside material without being affected by any dominating influence provides all the proof we needed.” No Depression said “…he and his band, the Hurtin’ Albertans, deliver lively, empathetic versions that will renew your appreciation for the songs you’re familiar with and pique your interest in the writers of those you’re not” while Glide Magazine said “…the appeal is unavoidable.” Songs My Friends Wrote is the follow up to 2020’s critically acclaimed Agricultural Tragic, Lund’s first studio album of original material in 5 years, which earned him the 2021 CCMA award for Alternative Country Album of the Year, his 13^th career win. Lund also recently had his debut on stage at the historic Grand Ole Opry.

Lund will spend the rest of 2022 doing what he loves best, being on the road, before writing another album of originals for release in 2023.