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Kyle Kinane is a comedian from Addison, Illinois. According to Wikipedia, he is a notable person from that town. Other notable residents of Addison have been the boxer Leon Spinks and a woman who wrote poetry about Beanie Babies. Raised in such a cultural fondue pot as this, it was natural for Kyle to find his way from warehouse work into show business. As a comedian, he has been seen on Conan, The Tonight Show, Netflix’s “The Standups,” and three of his own hour-length specials on Comedy Central. As an actor, he’s been in the Judd Apatow series
“Love” and truTV’s “Those Who Can’t.” He was also on “Drunk History,” where he unfortunately wasn’t acting. As a voice over actor, he was the former voice of Comedy Central for 8 years and currently plays Bullet on the Netflix series “Paradise PD.” He is also cohost of the Boogie Monster podcast along with Dave Stone, and the streaming show “Hey Girl” with Matt Braunger. As a musician, he has done nothing, as he is not a musician. Kyle’s most recent standup work, “Trampoline In A Ditch,” was recorded at Comedy on State in Madison, Wisconsin and was released on 800 LB Gorilla Records in 2020. The album was accompanied by an animated short, produced by Meister. “When you’re here, you’re family.”

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Barham has built a fiercely devoted fanbase hundreds of thousands strong, fortified with 15 years of sold-out American Aquarium shows across the country and Europe. The band’s 2018 release Things Change strode confidently into that distinct territory where rock-and-roll and politics meet, prompting Rolling Stone to announce Barham “earns every bit of his Southern Springsteen cred.” In 2019, the American Aquarium lineup also shifted again: Shane Boeker remains on guitar, and bassist Alden Hedges, keys player Rhett Huffman, pedal steel ace Neil Jones, and drummer Ryan Van Fleet joined the group.
A beloved live band known for consistently playing at least 200-250 dates a year, American Aquarium chose to be more selective in 2019, winnowing the schedule to 92 shows. For Barham, sober for six years now, is a dad to a toddler and still happily married, the adjustment was a must. “We’re learning how to balance being in our mid-30s and being rock-and-rollers,” he says. “Being home was the most rewarding experience. It allowed me to be creative and write about things that really matter.”

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Steve Earle is one of the most acclaimed singer-songwriters of his generation. A protege of legendary songwriters Townes Van Zandt and Guy Clark, he quickly became a master storyteller in his own right, with his songs being recorded by Johnny Cash, Waylon Jennings, Joan Baez, Emmylou Harris, The Pretenders, and countless others. 1986 saw the release of his record, Guitar Town, which shot to number one on the country charts and is now regarded as a classic of the Americana genre. Subsequent releases like The Revolution Starts…Now(2004), Washington Square Serenade(2007), and TOWNES(2009) received consecutive GRAMMY® Awards. Restlessly creative across artistic disciplines, Earle has published both a novel and collection of short stories; produced albums for other artists such as Joan Baez and LucindaWilliamsand acted in films, television (including David Simon’s acclaimed Wire), and on the stage. He currently hosts a radio show for Sirius XM. In 2009, Earle appeared in the off-Broadway plays Amara, for which he also wrote a score thatThe New York Times described as “exquisitely subliminal.”Earle wrote music for and appeared in Coal Country, a riveting public theater play that dives into the most-deadly mining disaster in U.S. history, for which he was nominated for a Drama Desk Award. His 2020 albumGhosts of West Virginia was named as one of “The 50 Best Albums of 2020 So Far” by Rolling Stone. Mr. Earle was recently (Nov 2020) inducted into the Nashville Songwriters Hall of Fame, and released his 21ststudio album J.T. on January 6thof this year as a tribute to his late son Justin Townes Earle.

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THE LONG RUN is made up of some of Florida’s finest and most respected musicians. Individual members of the band have performed with or shared the stage with great artists like Lynyrd Skynyrd, Steppenwolf, Eddie Money, Beach Boys, .38 Special, Doobie Brothers, Trace Adkins…just to name a few.
THE LONG RUN reproduces the sound that made the Eagles one of the most successful musical groups in rock and roll history. They capture the energy, guitar technique and vocal harmonies of the Eagles to an art; five voices blending together that will please even the most critical of Eagles fans.
You won’t hear a tribute to the Eagles this great till “Hell Freezes Over.”

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Formed in 2007, The Boxmasters have recorded an impressive and diverse catalogue of music that touches on their love of a wide array of influences, but most importantly, the rock and roll of the 1960’s. Listening to The Boxmasters, one can hear obvious odes to the Beatles, Byrds and Beach Boys, but also important to The Boxmasters are The Mothers of Invention, Kris Kristofferson, John Prine and Big Star.

Since forming The Boxmasters, several long-time friends have contributed to the sound of the band, but the core of The Boxmasters has always been Andrew and Thornton. As primary songwriters, the sound of the Boxmasters has been an evolution as the duo constantly strive to find new inspiration, new sounds and new ways of expressing what is in their hearts and on their minds. But at the core, there is a backbeat, a lyric with meaning and music played with emotion.

As a touring band, The Boxmasters have cultivated a rabid cult fanbase across the United States and Canada. Opening for the likes of ZZ Top, Steve Miller, George Thorogood and Kid Rock The Boxmasters have proven to win over large audiences. As a headliner, frequent stops in Kansas City at “Knuckleheads”, Springfield, Illinois at “Boondocks” and “Merrimack Hall” in Huntsville, Alabama have shown dedicated yet still growing audiences. Two appearances at Levon Helm’s “Midnight Ramble” in Woodstock, New York were highlight performances for the band, as well as the “Ramble at The Ryman” that Levon hosted in 2008. The Boxmasters performed on “The Grand Ole Opry” in 2015, another in a growing resume of must-play venues.

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Hinder with Special Guest Small Town Titans.

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Author, columnist, and comedian Steve Hofstetter is often called the hardest working man in show-business. With all due respect to the late James Brown.

Hofstetter’s national TV debut came on ESPN’s Quite Frankly, where Stephen A. Smith yelled at him for three minutes. Hofstetter has also appeared on CBS’ “Late Late Show With Craig Ferguson”, Showtime’s “White Boyz in the Hood”, VH1’s “Countdown”, Sundance’s “On the Road in America”, and ABC’s “Barbara Walter’s Special”, where he thankfully did not cry. He is the host and executive producer of “Laughs” on Fox networks, where he only cries occasionally.

One of the top booked acts on the college circuit, the original writer for collegehumor.com has also released six albums. Hofstetter has written humor columns for the New York Times, SportsIllustrated.com, and NHL.com, where he publicly admitted to being a Ranger fan.

After hosting Four Quotas on Sirius Satellite Radio for two seasons, Hofstetter moved to broadcast radio, and his Sports Minute (Or So) was syndicated on over 170 stations and in over 30 newspapers. Hofstetter’s second live comedy album (“Cure For the Cable Guy”) reached #20 on Billboard’s comedy charts. His third album (“Dark Side of the Room”) was the first ever pay-what-you-want” comedy album, since people were going to steal it anyway. His fourth album consisted of an hour of 100% ad-libbed material, which is, frankly, nuts. And his fifth album hit #1 on iTunes’ comedy charts, which is also a bit nuts.

Hofstetter’s brutal tour schedule consists of over 100 colleges and dozens of clubs every year, and is fueled by an immense online popularity, tons of press, and a Prius with great gas mileage. He reached 200,000 friends on Facebook (still the world record), 400,000 more on MySpace, and high shelves in grocery stores.

While Hofstetter’s live shows are routinely sold out, he is best known for his writing, first published at age 15, mainly to impress girls. At 18, he co-founded “Sports Jerk of the Week”, an irreverent website featured by press like USA Today’s Baseball Weekly, Sports Illustrated and CNN. And at 20, Hofstetter took a year off of school to head up web content for the New York Yankees. The Yankees won the World Series that year, which would have been wonderful if they hadn’t beaten Hofstetter’s Mets. Yes, he’s also a Mets fan. Poor kid.

While an undergraduate at Columbia University, Hofstetter was a well-read columnist for the Columbia Daily Spectator and a voice of the Lions. After a summer writing for Maxim, ESPN, and Sports Illustrated for Kids, Hofstetter syndicated his column in several newspapers.

Without his glasses, Hofstetter also looks a great deal like Michael Rappaport.

Photo credit: Unitas Photography

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Two time BMA nominee’s The Reverend Peyton’s Big Damn Band are the greatest front-porch blues band in the world. They are led by Reverend Peyton, who most consider to be the premier finger picker playing today. He has earned a reputation as both a singularly compelling performer and a persuasive evangelist for the rootsy, country blues styles that captured his imagination early in life and inspired him and his band to make pilgrimages to Clarksdale, Mississippi to study under such blues masters as T-Model Ford, Robert Belfour and David “Honeyboy” Edwards. Now The Big Damn Band is back with an explosive new record Dance Songs For Hard Times that debuted at #1 on the Billboard and iTunes Blues Charts and was produced by Vance Powell (Jack White, Chris Stapleton). The record is critically acclaimed by Rolling Stone, Relix, Popmatters, Guitar World, American Songwriter, No Depression, Glide, Elmore, Paste, American Blues Scene and many more!

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It was the Year of Our Lord 2013, and I was devouring a cheeseburger in a Chatsworth, CA franchise of a certain multinational fast food conglomerate which shall remain nameless. A crazed skull face painted, dirt-bag, clown sat down beside me. This Skeletor reject of Uriah Heap introduced himself as Ronald Osborne and was familiar with my work. I was informed that Ronald, Slayer Mac Cheeze, Grimalice, and the Cat Burglar, were performing secret rock shows in the bunker-like basements of the local restaurants. But the time had come, he said, to bring drive-thru metal up from the “underground,” and he asked if I would consider becoming the manager. BAM! Abruptly we were thrown to the sidewalk. (Apparently, the daytime manager was not informed of this activity) I looked over at Ronald, watched him brush off the sodium chloride and GMO remnants of my UN happy meal. Before I knew it, I was in a burger stand bomb shelter, witnessing Black Sabbath music, hilarious fast food lyrics, smoldering clown heads with laser eyes, a giant purple gumdrop bass player, and Tony Iommi with a giant cheeseburger head. I was confused, amazed, and can’t ever remember feeling so………happy!

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